24 western films before 1970, ranked by audience rating. The best of the decade, and it still holds up tonight. Updated September 25, 2026
The Good, the Bad and the Ugly leads with 8,5 out of 10, ahead of Once Upon a Time in the West (8,3). Ratings range from 7,4 to 8,5. The oldest, Stagecoach, goes back to 1939.
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While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.

Rosario, the niece of the rancher, returns to the ranch after ten years of absence. She takes in Margarito, a worker at the ranch, who is immediately smitten by her. Rosario is rescued from a runaway horse by the Seven Men, an outlaw a la Robin Hood that steals from the rich and gives to the poor. He also happens to be the twin brother of Margarito, unbeknownst to him. The confusion between Margarito and the Seven Men generates great comical situations in the film.

Two bounty hunters both pursue the brutal and sadistic bandit, El Indio, who has a large bounty on his head.

Two jobless Americans convince a prospector to travel to the mountains of Mexico with them in search of gold. But the hostile wilderness, local bandits, and greed all get in the way of their journey.

Questions arise when Senator Stoddard attends the funeral of a local man named Tom Doniphon in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance. As the territory's safety hung in the balance, Doniphon and Stoddard, two of the only people standing up to him, proved to be very important, but different, foes to Valance.

The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.

A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.

Fidencio Borer, an apothecary in a village on the northern border of Mexico, discovers some old title of a mine in Arizona and decides to claim them. Trying to cross the border is a border guard intercepted by exaggerating in the line of duty. On the way is captured by a tribe of Apaches and is about to be burned alive, but thanks to the Great Head Horse Lying having toothache and learns that the prisoner it can heal, ordered his release on the condition that the cure. Fidencio would take the wheel and gets the eternal friendship of the Chief apache.

A posse discovers a trio of men they suspect of murder and cow theft and are split between handing them over to the law or lynching them on the spot.

As a Civil War veteran spends years searching for a young niece captured by Indians, his motivation becomes increasingly questionable.

Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.

As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.

Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.

A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.

An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.

Retired wealthy sea captain Jim McKay arrives in the Old West, where he becomes embroiled in a feud between his future father-in-law, Major Terrill, and the rough and lawless Hannasseys over a valuable patch of land.

An oppressed Mexican peasant village hires seven gunfighters to help defend their homes.

A mute gunslinger fights in the defense of a group of outlaws and a vengeful young widow, against a group of ruthless bounty hunters.

Three brothers stop off for a night in the town of Tombstone. The next morning they find one of their brothers dead and their cattle stolen. They decide to take revenge on the culprits.

A destitute family tries to escape the drought in the backlands of northeastern Brazil. Fabiano (Átila Iório), Sinhá Vitória (Maria Ribeiro), their two children and their dog Baleia wander aimlessly and almost hopelessly through the remote interior, surviving the forces of nature and the cruelty of men. An adaptation of the work by Graciliano Ramos.

On the outskirts of town, the hard-nosed Vienna owns a saloon frequented by the undesirables of the region, including Dancin' Kid and his gang. Another patron of Vienna's establishment is Johnny Guitar, a former gunslinger and her lover. When a heist is pulled in town that results in a man's death, Emma Small, Vienna's rival, rallies the townsfolk to take revenge on Vienna's saloon – even without proof of her wrongdoing.

The fastest gun in the West tries to escape his reputation.

A fiercely independent cowboy arranges to have himself locked up in jail in order to then escape with an old friend who has been sentenced to the penitentiary.
The western is no longer a genre of production but a genre of inheritance: most of what is well rated is over forty years old, and the little still being shot converses with that past rather than continuing it. The catalog is therefore narrow and votes few, which justifies the lowered floor. It is also one of the rare genres where the original and the dubbed version do not quite tell the same story.
Before 1970 the selection stops being a sample and becomes a canon. What still circulates in streaming has passed sixty years of sorting, and the ratings show it: high and tightly clustered. The real criterion is therefore no longer the rating but the pace and the running time, which have nothing in common with today’s. A classic asks for an attention you do not have every evening.
They come from the TMDB catalog, filtered on audience rating and on a minimum number of votes — without that second filter, a film rated 9 out of 10 by eleven people would outrank a classic. No place is for sale: no platform, distributor or studio can enter this list other than by being well rated.
The Good, the Bad and the Ugly (1966), with 8,5 out of 10 from 9,965 audience votes.
Taro eira shows, film by film, which platforms carry it in the US and at what price — subscription, rental or purchase. The per-platform lists are further down this page.
It is recomputed every day. Ratings move slowly, catalogs move fast: availability is what mostly pushes titles in and out.
No. Taro eira is free, asks for no account and no subscription, and the two-or-three-question flow works without installing anything.
Films come from the TMDB catalog, filtered on audience rating and vote count, then cross-checked against real availability in the country. No paid placement, no partnerships. How we choose the films.
Film data and posters: TMDB. This app uses the TMDB API but is not endorsed or certified by TMDB.