24 western films picked on rating and vote count, most recommended first. Updated September 25, 2026
The Good, the Bad and the Ugly leads with 8,5 out of 10, ahead of Once Upon a Time in the West (8,3). Ratings range from 7,6 to 8,5. The oldest, Stagecoach, goes back to 1939. The selection leans toward films before 1970, 13 of 24.
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While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.

With the help of a German bounty hunter, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner.

Two bounty hunters both pursue the brutal and sadistic bandit, El Indio, who has a large bounty on his head.

After being deported back to Mexico, a man has no choice but to join the vicious drug cartel that has corrupted his hometown in order to survive.

Llewelyn Moss stumbles upon dead bodies, $2 million and a hoard of heroin in a Texas desert, but methodical killer Anton Chigurh comes looking for it, with local sheriff Ed Tom Bell hot on his trail. The roles of prey and predator blur as the violent pursuit of money and justice collide.

Two jobless Americans convince a prospector to travel to the mountains of Mexico with them in search of gold. But the hostile wilderness, local bandits, and greed all get in the way of their journey.

William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.

A young couple's relationship clashes with the harsh realities of the California Gold Rush of 1850. Angel, experiencing love for the first time and facing demons unsurmountable, runs from the new life she doesn't believe she deserves. When Michael sets out to find her, Angel discovers that she indeed has the power to choose the life she wants.

Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.

Questions arise when Senator Stoddard attends the funeral of a local man named Tom Doniphon in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance. As the territory's safety hung in the balance, Doniphon and Stoddard, two of the only people standing up to him, proved to be very important, but different, foes to Valance.

The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.

A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.

When the Scooby gang visits a dude ranch, they discover that it and the nearby town have been haunted by a ghostly cowboy, Dapper Jack, who fires real fire from his fire irons. The mystery only deepens when it’s discovered that the ghost is also the long lost relative of Shaggy Rogers!

Bounty hunters seek shelter from a raging blizzard and get caught up in a plot of betrayal and deception.

A captured mustang remains determined to return to his herd no matter what.

A posse discovers a trio of men they suspect of murder and cow theft and are split between handing them over to the law or lynching them on the spot.

As a Civil War veteran spends years searching for a young niece captured by Indians, his motivation becomes increasingly questionable.

At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners -- who are freed by the blast -- Miranda becomes a revolutionary hero against his will.

Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.

Bacurau, a small town in the Brazilian sertão, mourns the loss of its matriarch, Carmelita, who lived to be 94. Days later, its inhabitants notice that their community has vanished from most maps.

As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.

Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.

A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.
The western is no longer a genre of production but a genre of inheritance: most of what is well rated is over forty years old, and the little still being shot converses with that past rather than continuing it. The catalog is therefore narrow and votes few, which justifies the lowered floor. It is also one of the rare genres where the original and the dubbed version do not quite tell the same story.
Choosing by genre is the most common reflex and the least reliable: genre says what a film is about, not what it does to the person watching. Two thrillers can demand opposite evenings. That is why Taro eira never asks about genre first — it asks about mood and available time, then uses genre as one filter among others. This page exists for people who already know what they want.
They come from the TMDB catalog, filtered on audience rating and on a minimum number of votes — without that second filter, a film rated 9 out of 10 by eleven people would outrank a classic. No place is for sale: no platform, distributor or studio can enter this list other than by being well rated.
The Good, the Bad and the Ugly (1966), with 8,5 out of 10 from 9,965 audience votes.
Taro eira shows, film by film, which platforms carry it in the US and at what price — subscription, rental or purchase. The per-platform lists are further down this page.
It is recomputed every day. Ratings move slowly, catalogs move fast: availability is what mostly pushes titles in and out.
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Films come from the TMDB catalog, filtered on audience rating and vote count, then cross-checked against real availability in the country. No paid placement, no partnerships. How we choose the films.
Film data and posters: TMDB. This app uses the TMDB API but is not endorsed or certified by TMDB.